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・ "O" Is for Outlaw
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・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
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・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
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・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
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・ !T.O.O.H.!
・ !Women Art Revolution


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Jacques de la Villeglé : ウィキペディア英語版
Jacques Villeglé

Jacques Villeglé, born Jacques Mahé de la Villeglé (27 March 1926, Quimper, Brittany) is a French mixed-media artist and affichiste famous for his alphabet with symbolic letters and decollage with ripped or lacerated posters.
He is a member of the Nouveau Réalisme art group (1960–1970).
His work has primarily focused on the anonymous and on the marginal remains of civilization.
==Biography==
Villeglé first started producing art in 1947 in Saint-Malo by collecting found objects (steel wires, bricks from Saint-Malo's Atlantic retaining wall). In December 1949, he concentrated his work on ripped advertising posters from the street. Working with fellow artist Raymond Hains, Villeglé began to use collage and found/ripped posters from street advertisements in creating Ultra-Lettrist psychogeographical hypergraphics in the 1950s, and in June 1953, he published ''Hepérile Éclaté'', a phonetic poem by Camille Bryen, which was made unreadable when read through strips of grooved glass made by Hains.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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